Edward Alleyn (; 1 September 156621 November 1626) was an England actor who was a major figure of the Elizabethan theatre and founder of the College of God's Gift in Dulwich.
He played the title roles in three of Christopher Marlowe's major plays: Doctor Faustus, Tamburlaine, and Barabas in The Jew of Malta. He created the parts, which were probably written especially for him. Edward Alleyn was known for his physical size and handling of commanding parts. The evidence for his stage career is otherwise fragmentary. Other parts thought to be associated with Alleyn are Orlando in Robert Greene's Orlando Furioso, and perhaps Hieronymo in The Spanish Tragedy by Thomas Kyd.Michael Hattaway, Elizabethan Popular Theatre: Plays in Performance (2005), p. 91. Other works, some now lost, are thought to have had Alleyn in leading roles, including plays by George Peele such as The Battle of Alcazar. Early Modern Literary Studies Special Issue 16 (October, 2007) 9.1–19 Annaliese Connolly . "Peele's David and Bethsabe: Reconsidering Biblical Drama of the Long 1590s". Extra.shu.ac.uk (1 August 2007). Retrieved 2013-08-24. In a private letter, he mocked himself as a 'fustian king'.Andrew Gurr, The Shakespearean Stage, 1574–1642 (1992), p. 90.
To illustrate Alleyn's dedication, in 1593 Alleyn and the rest of his fellow players were touring the provinces of England, including more rural areas and were apparently not earning enough money worth the travelling. At that time, the bubonic plague was wreaking havoc in London, but Alleyn and the other players were willing to risk their health for the success of the troupe and perhaps, their personal financial stability by staying in London. This tour consisted of players from Lord Strange's Men and the Admiral's Men with which he was associated. The tour extended to Bristol, Shrewsbury, Chester, and York.
Alleyn retired at the height of his fame around 1598, and it is said that Queen Elizabeth requested his return to the stage, which he did in 1604, the year after her death. Ben Jonson bestowed praise on Alleyn's acting. Epigrams, No. 89. Thomas Nashe expressed in Pierce Penniless (1593) his admiration for him, in a quartet of English actors including also John Bentley, William Knell and the clown Richard Tarlton; while Thomas Heywood calls him "inimitable", "the best of actors," "Proteus for shapes and Roscius for a tongue." Thomas Fuller in his Worthies later wrote of Alleyn's reputation of "so acting to the life that he made any part to become him".
Although Alleyn had obtained a good amount of his fortune due to his marriage, he also made much of it from his acting career and owned a large estate in Sussex.
He filled, in conjunction with Henslowe, the post of "master of the king's games of bears, bulls and dogs." On some occasions he directed the sport in person, and John Stow in his Chronicles gives an account of how Alleyn Lion-baiting before James I at the Tower of London.
There is a legend associated with the founding of Dulwich which attributes Alleyn's gift to an encounter with an apparition. English antiquarian John Aubrey was the first to record the legend, saying:
All was completed in 1617 except for the charter or deed of incorporation for setting his lands in mortmain. Delays occurred in the Star Chamber, where Francis Bacon brought pressure to bear on Alleyn, with the aim of securing a portion of the proposed endowment for the maintenance of lectureships at Oxford and Cambridge. Bacon's approach was in line with his skepticism about the impact of charitable foundations, compared to a scheme put forward by Sir Henry Savile and Sir Edwin Sandys that lacked funds.Lisa Jardine and Alan Stewart, Hostage to Fortune: The Troubled Life of Francis Bacon 1561–1626 (1998), p. 422. Alleyn finally carried his point and the College of God's Gift at Dulwich was founded, and endowed under letters patent of James I, dated 21 June 1619. The construction of the school began in 1613.
It is said that Dulwich was built as a gesture of thanksgiving to God for Alleyn's acting ability and success in business dealings. At the time of its founding, Alleyn was not a member of his own foundation, but guided and controlled its affairs under powers reserved for himself in the letters patent. His diary shows that he mixed much and intimately in the life of the college. He engaged the boys in occasional theatrical performances: at a festive gathering on 6 January 1622 "the boyes play'd a playe."
In 1610 Alleyn was a member of the corporation of wardens of St Saviour's, Southwark in which parish he founded in the 'Soap Yard' next to an older foundation of Thomas Cure; he also contributed to the parish grammar school and both institutions still receive distributions from his Dulwich foundation.
In 1882 the College of God's Gift was legally divided into three schools: Dulwich College, James Allen's Girls' School and Alleyn's School. Dulwich College has expanded internationally to China, Singapore, and South Korea.
There is a memorial window to him in the cathedral, which in his time was the parish church for both the borough and the Clink Liberty in which most of his business activities were based. A portrait of the actor is on display at Dulwich Picture Gallery.
Alleyn is unusual among figures in 16th-century drama because a large selection of his private papers have survived. They were published in 1843 as The Alleyn Papers, edited by scholar-forger John Payne Collier. He also developed professional relationships with religious and political figures such as Francis Bacon and Sir Julius Caesar.
Alleyn had a private book collection of some significance which he bequeathed to Dulwich College.
Business
College founder
Mr. Alleyn, being a tragedian, and one of the original actors in many of the celebrated Shakespeare plays, in one of which he played a demon, with six others, surprised by an apparition of the devil, which so worked on his fancy that he made a vow, which he performed at this place (Dulwich College).
Marriages
Death and memorial
Arms
Notes
Further reading
External links
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